The Death of Robin Hood – More A24’s Speed…

An excerpt from my script review for The Death of Robin Hood which will be available 08/24/26: 1.) Marketability of the Idea This is Robin at the end of his career, and looking for...

X – Don’t Mess with Pearl!

An excerpt from my script review for X (2022) which will be available 08/18/26: After the "excitement" of Reals' X film review, I had to check the script out for myself... 2.) Plot Stability This...

The Odyssey – Is it YOUR favorite Nolan project?

An excerpt from my script review for The Odyssey which will be available 08/07/26: 2.) Plot Stability I’ll come right out and admit it, this was not my favorite Christopher Nolan project. It wasn’t bad, but similar to...

Mother Mary – Aaron Sorkin level dialogue?

An excerpt from my script review for Mother Mary which will be available 08/03/26: 4.) Dialogue and Description As sharp as the dialogue was when Sam and Mary get together, the description was not...

The Social Network – Learning from Sorkin…

An excerpt from my script review for The Social Network which will be available 07/20/26: 4.) Dialogue and Description Here’s where we’ll be spending a good chunk of our time. Let’s just get the description...

Obsession – An argument for why you DON’T need college to be successful in screenwriting…

An excerpt from my script review for Obsession which will be available 07/07/26: 1.) Marketability of the Idea Be careful who you wish for… That’s a great logline, tagline, however you want to pitch it. As long...
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Parasite – Best Screenplay…with issues.

An excerpt from my script review for Parasite which will be available 02/25/2020: 3.) Quality of Characters The main family (the Kims?) are all a bunch of unlikable folks, and that’s okay when you think of...

Tolkien – Can Flashbacks Inside Flashbacks Work in Scripts?

An excerpt from my script review for Tolkien which will be available 08/05/19: 2.) Plot Stability What I’d like to focus on here is the idea of… Flashing back inside a flashback. Normally I’d warn writers...

Write to Reals: Beau is Afraid – Is Reals envious of Ari Aster’s…something?

An excerpt from Reals' script review for Beau is Afraid which will be available 05/07/23: What Needs Work The Title - Like we discussed with Renfield, this title does nothing to interest me. It doesn’t catch...

You Should Have Left – Good Horror/Thriller Writers Should Check Out.

An excerpt from my script review for You Should Have Left which will be available 06/22/20: 3.) Quality of Characters Two layers of tension. We have the obvious horror layer from above, that again worked...

Long Distance (aka Distant) – Implementing Realistic Escalation

An excerpt from my script review for Long Distance which will be available 08/19/25: 2.) Plot Stability The premise of the story is solid. What we’re going to focus on in this section however is...

Hunter Killer – Does your script utilize contradicting characters?

An excerpt from my script review for Hunter Killer which will be available 02/25/19: 3.) Quality of Characters Most of us know by now the importance of well drawn, “three dimensional” characters in a stories. These characters should...

Write to Reals: The Ranger (2018) – Sometimes you’re in the mood for a good slasher!

So, I was searching through Amazon Prime the other day, trying to find something to watch. Of course, they have deep, Oscar-winning features like Moonlight, Room and Manchester by the Sea, but I kept scrolling...

Unhinged – Be Ready with YOUR Contained Thrillers/Horror

An excerpt from my script review for which will be available 08/30/20: 1.) Marketability of the Idea In addition to all our old arguments for writing a lower budget horror script, there’s something...

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