The Odyssey – Is it YOUR favorite Nolan project?

An excerpt from my script review for The Odyssey which will be available 08/07/26: 2.) Plot Stability I’ll come right out and admit it, this was not my favorite Christopher Nolan project. It wasn’t bad, but similar to...

Mother Mary – Aaron Sorkin level dialogue?

An excerpt from my script review for Mother Mary which will be available 08/03/26: 4.) Dialogue and Description As sharp as the dialogue was when Sam and Mary get together, the description was not...

The Social Network – Learning from Sorkin…

An excerpt from my script review for The Social Network which will be available 07/20/26: 4.) Dialogue and Description Here’s where we’ll be spending a good chunk of our time. Let’s just get the description...

Obsession – An argument for why you DON’T need college to be successful in screenwriting…

An excerpt from my script review for Obsession which will be available 07/07/26: 1.) Marketability of the Idea Be careful who you wish for… That’s a great logline, tagline, however you want to pitch it. As long...

Backrooms – Why an A24 sequel will (most likely) flop.

An excerpt from my script review for Backrooms which will be available 06/26/26: 2.) Plot Stability As I watched the “found footage” videos initially, did I kick around the idea of writing a script...

What Could Have Been: Friday the 13th – Camp Blood (aka The Death of Jason Voorhees)

An excerpt from my script review for the Friday the 13th sequel Camp Blood by Swift and Shannon which will be available 06/05/26: 2.) Plot Stability So this is the second installment for Friday the...
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The Lost Boys – Gratuitous Sax Done Right.

An excerpt from my script review for The Lost Boys (1987) which will be available 03/09/26: 4.) Dialogue and Description So…my biggest complaint with the script… Page 14: A loud rock group performs. Talk about underselling it!!! This...

Underwater – Consistent Tone Required

An excerpt from my script review for Underwater which will be available 01/13/2020: 4.) Dialogue and Description Here’s the nuts and bolts of the problems. Remember, the tone of your script should be uniform throughout. Meaning your description...

Twisters – Which side to root for?

An excerpt from my script review for Twisters which will be available 11/11/24: 3.) Quality of Characters There is one character that returns, that I forgot to mention. The Twister. This time it even brings along...

Under the Silver Lake – Is “WTF” Enough to Carry Your Story?

An excerpt from my script review for Under the Silver Lake which will be available 04/22/19: 2.) Plot Stability This one was wacky! There were many instances where I was left scratching my head in a “WTF”...

Write to Reals: The Grudge (2020) – The Need to Focus

An excerpt from Reals' script review for The Grudge (2020) which will be available 01/13/2020: Hi All! Hope you had a safe and restful holiday season, but it is now January, and you know...

Tully – Cathartic Main Character?

An excerpt from my script review for Tully which will be available 05/07/18: 3.) Quality of Characters I will forgive the predictable plot if one thing holds true… Diablo Cody is Marlo. TULLY What’s wrong with that?...

Obsession – An argument for why you DON’T need college to be successful in screenwriting…

An excerpt from my script review for Obsession which will be available 07/07/26: 1.) Marketability of the Idea Be careful who you wish for… That’s a great logline, tagline, however you want to pitch it. As long...

Backrooms – Why an A24 sequel will (most likely) flop.

An excerpt from my script review for Backrooms which will be available 06/26/26: 2.) Plot Stability As I watched the “found footage” videos initially, did I kick around the idea of writing a script...

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