Obsession – An argument for why you DON’T need college to be successful in screenwriting…

An excerpt from my script review for Obsession which will be available 07/07/26: 1.) Marketability of the Idea Be careful who you wish for… That’s a great logline, tagline, however you want to pitch it. As long...

Backrooms – Why an A24 sequel will (most likely) flop.

An excerpt from my script review for Backrooms which will be available 06/26/26: 2.) Plot Stability As I watched the “found footage” videos initially, did I kick around the idea of writing a script...

What Could Have Been: Friday the 13th – Camp Blood (aka The Death of Jason Voorhees)

An excerpt from my script review for the Friday the 13th sequel Camp Blood by Swift and Shannon which will be available 06/05/26: 2.) Plot Stability So this is the second installment for Friday the...

Mortal Kombat II – Bye Cole!

There used to be 2 camps, those who played Mortal Kombat and those who played Killer Instinct. I hated KI, I can’t remember why, I think because of how the characters moved....

Project Hail Mary – See! Self Publishing DOES Work!

An excerpt from my script review for Project Hail Mary which will be available 05/22/26: 1.) Marketability of the Idea Based on the novel by Andy Weir. Ah…that elusive “based on” that instantly garners the...

May the 4th Be With You! – The Star Wars First (and STILL rough) Draft

An excerpt from my script review for Star Wars First Draft which will be available 05/04/26: 2.) Plot Stability When he was trying to launch this new universe, I knew George Lucas had trouble,...
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Under the Silver Lake – Is “WTF” Enough to Carry Your Story?

An excerpt from my script review for Under the Silver Lake which will be available 04/22/19: 2.) Plot Stability This one was wacky! There were many instances where I was left scratching my head in a “WTF”...

The Lost Boys – Gratuitous Sax Done Right.

An excerpt from my script review for The Lost Boys (1987) which will be available 03/09/26: 4.) Dialogue and Description So…my biggest complaint with the script… Page 14: A loud rock group performs. Talk about underselling it!!! This...

Underwater – Consistent Tone Required

An excerpt from my script review for Underwater which will be available 01/13/2020: 4.) Dialogue and Description Here’s the nuts and bolts of the problems. Remember, the tone of your script should be uniform throughout. Meaning your description...

Twisters – Which side to root for?

An excerpt from my script review for Twisters which will be available 11/11/24: 3.) Quality of Characters There is one character that returns, that I forgot to mention. The Twister. This time it even brings along...

Tully – Cathartic Main Character?

An excerpt from my script review for Tully which will be available 05/07/18: 3.) Quality of Characters I will forgive the predictable plot if one thing holds true… Diablo Cody is Marlo. TULLY What’s wrong with that?...

Write to Reals: The Grudge (2020) – The Need to Focus

An excerpt from Reals' script review for The Grudge (2020) which will be available 01/13/2020: Hi All! Hope you had a safe and restful holiday season, but it is now January, and you know...

Ford v Ferrari – Dealing with Technical Action Sequences

An excerpt from my script review for Ford v Ferrari which will be available 11/20/19: 4.) Dialogue and Description What do you do if you have a “technical” style of action/description that doesn’t read...

What Could Have Been: The Group – An Entirely Eye-Catching Cast?

An excerpt from my script review for The Group (2008 unproduced) which will be available 03/04/19: 3.) Quality of Characters As Reals like to mention my pet peeves, it’s my turn to mention one...

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