Madame Web – A new review style for the Cap’n?

In the expansive realm of cinematic storytelling, "Madame Web" emerges as a beacon of creativity, weaving together a tapestry of intrigue, adventure, and existential exploration. Directed by a visionary filmmaker and brought...

Write to Reals: The Strangers 2 – Prey at Night

An excerpt from Reals' script review for The Strangers 2 (Prey at Night) which will be available 04/07/24: What Worked The Opening - Man, what a way to open this! Sure, killing the previous final...

Road House: Remake vs Original

An excerpt from my script review for Road House which will be available 03/25/24: 2.) Plot Stability Okay, before we get into the original, did anyone watch the remake? Don’t let me ruin it for...

Dune: Part 2 – The Cap’n Weighs In!

If given the option, I never go with IMAX, as it costs a whole hell of a lot more and I hate assigned seating like you’re attending a baseball game or you’re...

Shutter Island – NOT the kind of contained we mean.

An excerpt from my script review for Shutter Island (2010) which will be available 03/12/24: 1.) Marketability of the Idea We’re constantly telling you to consider writing a contained horror. Why? Because it’s one of...

No One Lives – Need more than “weird for weird’s sake”?

An excerpt from my script review for No One Lives (2012) which will be available 03/05/24: 3.) Quality of Characters Emma and Driver. We’re presented with this really weird dynamic, which is good, but it’s...
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Fantasy Island – String us along a bit?

An excerpt from my script review for Fantasy Island (2020) which will be available 05/25/20: 2.) Plot Stability It didn’t scare me silly, and with the light horror it’s probably something I can watch...

Underwater – Consistent Tone Required

An excerpt from my script review for Underwater which will be available 01/13/2020: 4.) Dialogue and Description Here’s the nuts and bolts of the problems. Remember, the tone of your script should be uniform throughout. Meaning your description...

Da 5 Bloods – Make sure a pass in your script doesn’t result in a “PASS”

An excerpt from my script review for Da 5 Bloods which will be available 06/29/30: 5.) Format This script is why I suggest new writers always read a group of popular scripts of varying...

Psycho – An Oldie but a Goodie!

An excerpt from my script review for Psycho (1960) which will be available 03/29/20: 3.) Quality of Characters Nervous character making poor decisions. Of course this begins with Mary, who steals the money and practically wears the guilt...

Project Power – Benefits of Being “On the List”

An excerpt from my script review for Project Power which will be available 08/17/20: 1.) Marketability of the Idea Originally titled Power and a former Hit List script, I believe. (Someone somewhere told me it was on...

Palm Springs – Fun Little RomCom Script

An excerpt from my script review for Palm Springs which will be available 07/20/20: 2.) Plot Stability Wanting to go into this completely fresh and not influenced by the Cap’n, I have not read his review yet. (Disclaimer –...

Write to Reals: Captive State – Did the film fix the script issues?

An excerpt from Reals' script review for Captive State which will be available 03/26/19: The Bad Lazy writing - After we get the car chase/crash, we cut to a long introduction scene of a...

Ready or Not – Two Dimensional Characters in Horror?

An excerpt from my script review for Ready or Not which will be available 09/02/19: 3.) Quality of Characters The one thing this script had going for it were the character relationships, and how some of...

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