An excerpt from my script review for Synchronic which will be available 10/26/20:
3.) Quality of Characters
Here’s where we’re going to spend a bit of time.
Character introductions.
Page 13:
Mary Kay Latorno meets Tanya Harding,...
An excerpt from my script review for Love and Monsters which will be available 10/19/20:
3.) Quality of Characters
Quality of monsters!
Okay, I called Joel’s run-ins with these monsters “episodic” in regards to the plot,...
An excerpt from my script review for Spontaneous which will be available 10/12/20:
4.) Dialogue and Description
Set the tone for your genre, and set it early.
Never underestimate the power of a spec being a “quick...
An excerpt from my script review for Antebellum which will be available 10/05/20:
4.) Dialogue and Description
We’ve said it before on here that screenwriting “rules” are more like “guidelines”.
https://youtu.be/jl0hMfqNQ-g
Sometimes you can break these...
An excerpt from Reals' script review for The Rental (2020) which will be available 09/27/20:
What Needed Work
Spelling-It-All-Out
For example, on Page 2, we are treated to this line in the description section:
Josh is...
An excerpt from my script review for The Sleepover which will be available 09/21/20:
3.) Quality of Characters
First and foremost…Glen.
Now I’m rooting for Ken Marino. Mother fucker still has the wife and I...
An excerpt from my script review for Tesla which will be available 09/14/20:
1.) Marketability of the Idea
The Current War.
I can remember watching something on the History Channel (maybe The Men Who Built America)...
An excerpt from my script review for Bill and Ted Face the Music which will be available 09/07/20:
2.) Plot Stability
So Bill and Ted became major flops after Bogus.
That’s a lot of pressure to write the one...
