Behind the Cellar Wall
Hi all.
Today we're taking a look at Behind the Cellar Wall by Lana Newlin.
We follow the story of Maggie, who's a tough young woman, as she loses her parents,...
Script Links 4-16-12
Hi all.
Here's what we've got on the agenda for this week.
Wednesday 4/18/12
The Sublime Freedom by Antony Davies
When a single-father cop spies on his daughter’s internet use, he discovers a...
On Chesil Beach – Watch the Sun Dance, Darling.
An excerpt from my script review for On Chesil Beach which will be available 06/18/18:
2.) Plot Stability
Watch the Sun Dance, Darling.
That’s the title I would have picked, pulling from...
The Spy Who Dumped Me – Unlikely example of Tone matching Genre?
An excerpt from my script review for The Spy Who Dumped Me which will be available 08/16/18:
4.) Dialogue and Description
Setting the tone of your story via description is a...
Write to Reals – Suspiria (2018 Remake)
An excerpt from Reals' script review for Suspiria which will be available 11/05/18:
What Worked
-- Pg. 28 - 29 - This is a little bit creepy - the scene with...
Eons – Part 1
Hi all, and welcome to our FIRST Monday review.
Hopefully you all know by now Roy and I have switched to a Monday through Friday schedule. We did this...
Flatliners – Importance of Well Paced Plot
An excerpt from my script review for Flatliners which will be available 10/09/17:
2.) Plot Stability
This was one of those that scripts that, even at over 100 pages, I didn’t...
The Happytime Murders – Detective Noir Archetypes?
An excerpt from my script review for The Happytime Murders which will be available 08/27/18:
3.) Quality of Characters
It takes a certain ensemble to fill the “detective noir” character roles.
Phil...
