An excerpt from my script review for Antebellum which will be available 10/05/20:
4.) Dialogue and Description
We’ve said it before on here that screenwriting “rules” are more like “guidelines”.
https://youtu.be/jl0hMfqNQ-g
Sometimes you can break these...
An excerpt from Reals' script review for The Rental (2020) which will be available 09/27/20:
What Needed Work
Spelling-It-All-Out
For example, on Page 2, we are treated to this line in the description section:
Josh is...
An excerpt from my script review for The Sleepover which will be available 09/21/20:
3.) Quality of Characters
First and foremost…Glen.
Now I’m rooting for Ken Marino. Mother fucker still has the wife and I...
An excerpt from my script review for Tesla which will be available 09/14/20:
1.) Marketability of the Idea
The Current War.
I can remember watching something on the History Channel (maybe The Men Who Built America)...
An excerpt from my script review for Bill and Ted Face the Music which will be available 09/07/20:
2.) Plot Stability
So Bill and Ted became major flops after Bogus.
That’s a lot of pressure to write the one...
An excerpt from my script review for which will be available 08/30/20:
1.) Marketability of the Idea
In addition to all our old arguments for writing a lower budget horror script, there’s something...
An excerpt from my script review for The Tax Collector which will be available 08/24/20:
2.) Plot Stability
The idea we’re going to focus on here is the importance of getting to the “good...
An excerpt from Reals' script review for an Unproduced Slasher Script which will be available 08/17/20:
What Worked
Sammy
So, I have much more to say about the sexist dialogue and descriptions in this script,...
