Thursday, November 21, 2019

Matrix Reloaded Script Review

Hi all. If you remember, Roy went on and on about philosophy and great screenwriting last week with his review of The Matrix. You know he's the smert one, but here's...

Ford v Ferrari – Dealing with Technical Action Sequences

An excerpt from my script review for Ford v Ferrari which will be available 11/20/19: 4.) Dialogue and Description What do...

Baywatch – Reboot the Tone too!

An excerpt from my script review for Baywatch which will be available 05/30/17: 4.) Dialogue and Description This is the gem of the discussion. Where the TV series was more drama, despite...

Captive State – Such a thing as “too cryptic”?

An excerpt from my script review for Captive State which will be available 03/25/19: 2.) Plot Stability The first scene started out brilliantly.

It Follows – The “Gotcha Last” STD

An excerpt from my script review for It Follows which will be available 03/29/15: 2.) Plot Stability Before I jump into my critique, I have the following technical questions... A.) Do blowjobs...

Forgetting Sarah Marshall – Script Review

Script Link: Forgetting Sarah Marshall by Jason Segel Logline: Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does...

Tolkien – Can Flashbacks Inside Flashbacks Work in Scripts?

An excerpt from my script review for Tolkien which will be available 08/05/19: 2.) Plot Stability What I’d like to focus...

Murder on the Orient Express – The Virtue of Timeless Mystery

An excerpt from my script review for Murder on the Orient Express which will be available 12/04/17: 2.) Plot Stability Can a novel written in 1934 still be relevant and excite...